For Our Mothers on Christmas Eve - poem

 (ca 2015)

Lawrence Hall, HSG

mhall46184@aol.com

For our Mothers on Christmas Eve

 

Beyond all other nights, on this strange Night,

A strangers’ Star, a silent, seeking Star,

Helps set the wreckage of our souls aright:

It leads us to a stable door ajar                                                         

 

And we are not alone in peeking in:

An ox, an ass, a lamb, some shepherds, too -

Bright Star without; a brighter Light within

We children see the Truth three Wise Men knew

 

For we are children there in Bethlehem

Soft-shivering in that winter long ago

We watch and listen there, in star-light dim,

In cold Judea, in a soft, soft snow

 

The Stable and the Star, yes, we believe:

Our mothers sing us there each Christmas Eve

The Rural Electric Co-Op's Giant Christmas Tree

 (from 2020)

Lawrence Hall

Mhall46184@aol.com

The Rural Electric Co-Op’s Giant Christmas Tree

Christmas trees are a delight to a child, and when a man is old and can be a child again, even more delightful.

Our family’s farm was about three miles from town. We lived in what would now be called situational poverty, but most folks in the county were worse off. Some kids got bicycles for Christmas, for us it was socks and cap pistols and little tinplate toy trucks, and for many there was almost nothing. The post-war prosperity boom bypassed most of East Texas.

A few weeks before Christmas each year Father took us boys into the woods next to our land for the adventure of cutting the Christmas tree. In our informal squirrel hunts in the autumn we had scouted out likely trees, and now returned for the best of them, almost always a pine.  Finding it, cutting it down with the hatchet, and dragging it back to the house through the chill was a great adventure to be savored then and savored now in the remembrance.

Father stood the tree in a bucket of wet sand and anchored it with fishing line. He and Mother strung the big Noma™ lights and hung the precious glass ornaments, and then we children were at last given a box of tinsel each and permitted to fling the bright strands any way we wanted. What a mess! I realize now that after we went to bed Mother discreetly arranged the tinsel a little more artistically.

Farms in our school readers and in the movies were always bright and cheerful places, with happy cows and happy pigs living peaceful lives of prelapsarian fellowship. In reality a farm, especially in the winter, is brown and grey and mucky and smelly, and after their years of loyal service cows are prodded into a trailer, bellowing in fear, to be driven away to the slaughterhouse. Good ol’ Bessie, whom you raised from a calf, is now lunch.

Life on a farm is often grim.

Thus, a little pine strung with multi-colored lights and little figures and globes brought out once a year was magic.

Another magic Christmas tree was the huge one the local electric co-op built each year by stringing lights on their tall radio mast – tall enough to have red lights all year round lest the town doctor fly his airplane into it.

For weeks the far-away tree shone across the dark, frosty fields. A child imagined it to be a magic place, maybe even the North Pole itself.

Now the tower is gone, replaced by cell ‘phones and more modern radios, and the co-op decorates only a little tree out in front of the drive-by window. Still, it’s a Christmas tree, and good enough.

For Christmas the co-op gives employees, retirees, trustees, and others ham for Christmas. Because I serve on the scholarship committee I get a ham, which is not a Christmas tree but then you can’t eat a Christmas tree.

Scholarships for graduating seniors, Christmas hams for some, electricity for all, a giving opportunity for helping with the bills of the poor, and a pretty good Christmas tree out front. What a wonderful institution our Rural Electric Co-Op is!

-30-

Toy Trains, Grandmother's Good China, and Children - Christmas

 (from 2019)

Lawrence Hall, HSG

Mhall46184@aol.com

 

Toy Trains, Grandmother’s Good China, and Children

As Inspector Barnaby says in one of the Midsomer Mysteries, we can’t recover the past; that’s why it’s the past.

Childhood Christmases are often the metaphorical benchmark for our present Christmases, and that won’t do. The magic of opening a package under the tree on Christmas morning is for little children; it won’t work for us and it’s not meant to. And that’s okay. Besides, at some point in all the visiting we’re going to be privileged to watch children open their presents, and we’ll get to share a little of their magic, like a puff of pixie dust.

In the run-up to Christmas there was for over a century a little commercial  magic in the Sears & Roebuck catalogue, but that disappeared long ago and after this Christmas the few remaining Sears stores are going away too. Where, then, can little boys go to see the magic of toy trains running on multiple levels through a cotton-wool winter landscape? Where did they go, the tiny little people forever waiting at a rural railway station and the others walking, sawing wood, sitting by a window? Where are all the little houses and stores and barns lit by miniature grain-of-wheat light bulbs?

Young adults don’t remember walking and shopping along streets lined with shops, and their children won’t remember shopping malls.

Ordering by electrical mail is certainly efficient, but you can’t fit Santa Claus or a junior high choir into a UPS truck.

Artificial Christmas trees – bah, humbug!

One good thing about a modern Christmas is that no one seems to stage Charles Dickens’ tedious A Christmas Carol much anymore. When I was a child I always hoped someone would kick Tiny Tim’s little crutch out from under him. And maybe someone did.

I wonder when someone first said, “Christmas has become too commercialized!” Probably about 34 or 35 A.D.

How remarkable that the appearance on the dinner table of Meemaw’s “good” china, probably from Sears or Montgomery Ward, brought out only twice a year, can bring back all sorts of those childhood memories I just now cautioned you against.

On Sunday morning after Mass the teenagers assembled the Stable, and then some little children knelt before it to arrange the hay just so, and then place almost every figure – the Infant Jesus is brought on Christmas Eve – just so: Mary, Joseph, the crib, camels, oxen, shepherds, wise men first in this place and then in that, talking to each one of them about how when Christmas comes they must keep the Baby Jesus warm.

Magic.

Merry Christmas, everyone.

 

-30-

 

Mr. Krueger's Christmas

 (from 2019)

Mack Hall, HSG

Mhall46184@aol.com

 

Mr. Krueger’s Christmas

 

A friend referred y’r ‘umble scrivener to a James Stewart film until now unknown to him, Mr. Krueger’s Christmas, a gift of the Mormons in 1980.  Although the little movie is only 25 minutes long, it is a joy, a gift indeed.

Set in a vaguely 1950’s that perhaps never was, the story is about Willy Krueger, an elderly widower who is the custodian of an apartment building. As with the shepherds keeping watch over their flocks in the fields, Mr. Krueger’s work is humble and not much appreciated: immediately after he has swept the lobby clean for the night a tenant comes through to the elevators dragging a large Christmas tree that drops debris all over the floor.

Yeah, Merry Christmas, Mr. Krueger.

After his work is done Mr. Krueger settles in with his cat George (an allusion to It’s a Wonderful Life) to keep Christmas alone.  He sets a record album of Mormon Tabernacle Choir Christmas music on the hi-fi.

And then, like Scrooge, he begins having dreams; unlike Scrooge, Mr. Krueger’s dreams are happy ones.

He finds himself, in his shabby old clothes, directing the Mormon Tabernacle Choir, and it is great fun for all, especially the choir themselves.

In another scene Mr. Krueger imagines himself in a fashionable gentlemen’s clothier being fitted for the kind of suit he could never afford for real.

And in yet another scene he follows carolers through the snowy streets, which includes a lovely set piece complete with dancers.

The carolers are real, though, and he retrieves the mittens a little girl has lost.  When mother and daughter later come for the mittens, the little girl, Clarissa (an echo of Tchaikovsky’s Clara?), says to Mr. Krueger, “You hung them on the Christmas tree?”

Mr. Krueger replies, “Well, you remind me of everything good about Christmas so I just couldn't think of a better place…here you are.” 

The most moving scene is when Mr. Krueger finds himself in the Stable – yes, that Stable – on the first Christmas.  Of all the beings, humans and angels and animals, the only one aware of his presence is the Infant Jesus.

Mr. Krueger approaches the Child in awe and with slow steps, and hesitantly begins to speak. Mr. Krueger, through James Stewart one of the best monologues he ever filmed, thanks Jesus. Although Mr. Krueger is widowed and alone, and lives in a small basement apartment that comes with his cleaning job, he is grateful to God for everything: “As long as I can remember You've been right by my side.”

And the Child smiles at him.

Mr. Kreuger awakens back in the apartment, George the cat meows, and Mr. Krueger says, “Yeah, I guess you're right George; we better trim that tree. If we don't hurry, we'll be too late!”

The narrator concludes the film with: “‘I love you.’ That's what Christmas is all about... Clarissa said it to Mr. Krueger; Mr. Krueger said it to Jesus; and Jesus in so many ways said it to all of us.”

-30-

 

"And This the Happy Morn" - Christmas

 (from 2022)

Lawrence Hall, HSG

Mhall46184@aol.com

 

And This the Happy Morn

 

This is the month, and this the happy morn,

      Wherein the Son of Heav'n's eternal King,

Of wedded Maid, and Virgin Mother born,

      Our great redemption from above did bring

 

-From “On the Morning of Christ’s Nativity,” John Milton

 

The Bee Lady and her helper visited the other day, bringing jars of honey to help us celebrate Advent, Christmas, and breakfast. We host some of her hives, and it is a joy to see those bees working the seasons of flowering plants and trees and sipping from the pools of fresh water we keep for them. Bees are essential for our lives, for without their industry in pollinating crops we would not eat. Flowers and honey are a happy bonus.

 

No one has yet messed up Advent (aka “The Christmas Season,” which it is not), and so we are spared Advent sales and Advent gifts and Advent movies and news stories babbling about The True Meaning of Advent. Advent is a season that points to the Nativity, not to itself.

 

But this liturgical season of quiet anticipation is blessed with quiet joys anyway: gifts of local honey, for instance, and folks sending each other homemade cookies and homemade pies and homemade rum cake. A neighbor gave us a bundle of lightered-pine kindling, now relatively rare. I’m not going to start a fire with it anytime soon; simply to smell the scent, the East Texas incense of lightered-pine is to be taken back to childhood on the farm.

 

Advent and Christmas are seasons in the liturgical calendar, of course, but culturally they are also seasons of remembrance. This part can go wrong because of the unreasonable expectations in our cargo-cult sub-culture. Things are nice (I’m open to a Rolex, a Leica, and a new car, okay?), but as an old saying goes, God is not at the end going to ask any of us how much our car cost.  I’m a sentimentalist – I think that years from now a man or woman will remember happily a childhood doll, train, Christmas dress, fire truck, or first purse much more than expensive, look-at-how-much-I-spent, battery-powered gimcrackery that was outdated even as it was manufactured.

 

I have such a happy Christmas remembrance of my Uncle Bob giving us boys lengths of small, kid-size rope which he had worked into real cowboy lassos. I was never good at lassoing anything other than fence posts and my father’s deer-dog (and I got into trouble for that), but that bit of hand-worked line is the sort of memory that stays with a man in a way that expensive, plastic, made-in-Shanghai landfill cannot.

 

And then there was Aunt Lola’s divinity candy. And Grandmama’s teacakes. And a Christmas tree from our own patch of woods. Bing Crosby on the pickup truck radio. The Rug-Rat playing with her new Barbie in a sunlit window. Sigh.

 

As Mr. Milton says, the center of Christmas is “the happy morn,” but all the other joys are wonderful too.

 

Merry Christmas.

 

-30-

 

 

Read Within Your Academic Discipline

 

Lawrence Hall, HSG

Mhall46184@aol.com

 

Read Within Your Academic Discipline

 

 

The Child is father of the Man

 

-Wordsworth

 

 

When I was a child I read without discipline:

Robert A. Heinlein, Robin Hood, cowboy yarns

Pirates raiding across the Spanish Main

Penrod and Sam, Tom Sawyer, Huckleberry Finn

 

In college they said, “Read within your discipline”

The Russians are good, Romantics if you must

Though the English are overstudied and overdone

(Some say electronics are the coming thing)

 

I minded the words of my college tutor

‘Til Robin Hood stole the Sheriff’s computer

My parents gave me that copy of Robin Hood for Christmas when I was perhaps ten years old.

How to Review a War Movie Without Saying Anything - poem (of sorts)

 

Lawrence Hall, HSG

Mhall46184@aol.com

 

How to Review a War Movie Without Saying Anything

 

First, copy out the same old filler words

You’ve read in almost every film review:

 

 

Glued to your seat edge of your seat action-packed

All-star cast powerful and moving iconic

Must-see intense cult classic gripping scenes

Gritty realism classic cinema

 

Haunting intense unforgettable thrilling

Sweeping raw emotion (as opposed to

Cooked emotion) unflinching essential

Stark visuals overwhelming odds intense

 

Stunning cinematography powerful

Unflinching acclaimed devastating action-adventure

Action-thriller infiltrate timeless story

Treacherous powerful performances

 

 

Then stir the words into a metaphorical soup

And let them crawl weakly across the screen

And die